Tagged: music

NOW PLAYING #TBT Edition: Save Tonight – Louis Vivet (feat. Gavrielle & Nick Goldston)

Remember Eagle Eye Cherry? Who am I kidding, of course you remember them. “Save Tonight” was a staple of every alt kid’s 90’s playlist, or at least it was on mine.  So in honor of the ubiquitous Throwback Thursday, let’s all join together to enjoy this fabulous cover by Louis Vivet.

Now since the original will always have a special place in my heart, I won’t go as far as to call this version better, but damn if it isn’t something special.  I love the haunting vocals by some young guns – Gavrielle and Nick Goldston – and am even down with the techno break in the middle.  The track is upbeat but yet stays true to the melancholy of the lyrics (try to tell me you didn’t use to cry to this song while thinking about your crush in grade school, or hanging with your friends on the last day of camp).  So here you are folks, your #TBT jam of the day.

 

Behold, the most diverse festival lineup ever…

JazzFest2014a2

In case you hadn’t seen already, the New Orleans Jazz & Heritage Festival released their lineup announcement video today, and it might quite possibly be the most inclusive lineup I have ever seen.  Ranging from Phish to Public Enemy, Solange to Foster the People, Trey Songz to Jason Isbell, Arcade Fire to Avett Brothers, Eric Clapton to Christina Aguilera (seriously).  Not to mention the smattering of traditional NOLA jazz and gospel acts.   I can’t decide if this is the most amazing strategy ever since people have already been going to Jazzfest for years regardless of the lineup, or if it’s going to result in the biggest clusterfuck in the history of music festivals.

Thinking about going?  I know…so am I.  Here’s a nifty to guide for everything you need to know if you’re planning a trip.

Best part of this announcement?  It’s put a (temporary I’m sure) damper on all the Coachella-philes.

Now Watching: Sarah Jarosz NPR Tiny Desk Concert

Credit: npr.org

Credit: npr.org

There are few things on the internet that make me happier than NPR’s Tiny Desk Concert series.  The low-key concerts are a showcase for some of the best talent on the planet to really show their raw chops.  This one with Sarah Jarosz is no exception.  In case you haven’t heard of this miraculous young lady, she is a 22 year old bluegrass/roots songbird.  Despite being only 22, she has already recorded three albums, all of them an absolute delight.  In this video she is performing songs from her third album, Build Me Up From Bones.  But enough of my yammering, just watch and let the girl win your heart.

Live in LA?  Come see her with me on January 22nd at Largo at the Coronet, tickets here.

That Show I Saw: Macklemore & Ryan Lewis at STAPLES Center

If you’ve been reading this blog for a little while you know that when Thrift Shop first came out, I was truly obsessed.  I went full fan-girl after the NPR Tiny Desk concert, and was telling anyone who would listen how great I thought he was and “just wait ’til Can’t Hold Us is released as a singe…just wait.”

So, needless to say, when a friend sent out a mass email asking who wanted to go to his show at STAPLES, I eagerly agreed.  While I’m not normally one for stadium shows, I figured I’d take a chance on the men who gave us And We Danced.   A few weeks and one Metro ride later (yes, this LA girl took the train), I arrived at STAPLES this past Wednesday night.  I’ll preface the rest of this post by saying I’ve been very busy at work, and more than anything just wanted to sit on my couch that night, so was maybe not in the best state of mind to go to a rowdy hip hop concert.

Talib Kewli at The STAPLES Center

Talib Kewli at The STAPLES Center

The night started with Big KRIT (whose set I mostly missed) and Talib Kweli – who, as always, was great.  Hard to believe the man is nearing 40 and is opening for Macklemore, but so goes the industry.  His set was unfortunately slightly marred by a cameo by a singer (whose name, to be perfectly honest, I can’t remember) who was a bit “under the weather” and wasn’t able to hit all the notes of her cover of Fleetwood Mac’s Dreams.  But props to the duo for trying to appeal to a sea of white people.

A lengthy set break gave me time to purchase some over-priced and underwhelming sushi along with a $13 alcoholic beverage.  I thought that these things would help prepare me for what I assumed was about to be about 2 hours of straight groovin’.  Welp, I was in for a bit of a disappointment.

Me, enjoying the party at the Budweiser Black Crown Lounge.  It was really blown' up.

Me, enjoying the party at the Budweiser Black Crown Lounge. It was really blown’ up.

While Macklemore’s show was replete with showmanship – from costume changes, to sets worthy of a Broadway musical, to custom video art projections, even a giant M made of Nike Air Jordans – the show overall seemed to be just…well, missing something.  Between every song Macklemore took the mic and talked…a lot.  And while I’m a fan of some good stage banter, this fell flat for me.  Rather than cracking jokes, it was a lot of humble statements of how amazed he was to be playing a show this big (understandable), some stories about his past to set up his songs, and a lot of time spent listening to the roar of the (very young) crowd.  These breaks seemed to, in my opinion, really interrupt the flow of what should have been a high-energy, party of a concert.  That said, when he was actually performing he was great, supported by a full backing band of strings and horns, and joined on stage by his tried and true hook singers Ray Dalton (Can’t Hold Us) and Mary Lambert (Same Love).

Macklemore & Ryan Lewis at The STAPLES Center

Macklemore & Ryan Lewis at The STAPLES Center

Then came the end of the show.  Macklemore finished his first set, and did not keep the crowd waiting long for an encore.  To my great pleasure, Macklemore re-emerged on stage as Raven Bowie – his alter ego from And We Danced.   He then proceeded to utterly crush that song: wig and glittery cape flowing, humping the floor in synch with his dancers, and running around the stage like the mad man he is – it was wonderful.  He should have stopped there.  He should’ve said goodnight.  But he didn’t.  Instead, he played a few more songs and then proceeded to take 15 minutes (no exaggeration) to introduce and thank every single member of the band on stage.  It was a lot of talking, so much so that he said that he was getting told his time was up.  As he spoke I began to wonder, how can he go out after this, he’s played all his hits – what’s left?  Well after defiantly claiming that STAPLES center “doesn’t decide when the music is over” he launched into his final number…Can’t Hold Us…again.  The crowd seemed to not care that it was the second time hearing the song in under 30 minutes, but I couldn’t help but feel massively disappointed. 

Look, overall, Macklmore knows how to put on one hell of a show.  And maybe he really was just so genuinely blown away by the 10,000 strong crowd that he couldn’t do anything but stand in awe of it and play hit songs multiple times.  But let’s hope that next time he comes around, we get a little less talking and a little more dancing.

VIDEO: Volcano Choir Performs “Comrade”

A little treat for the end of your hump-day, courtesy of Pitchfork.  A really excellent song from Justin Vernon’s latest project Volcano Choir, and because it’s Justin Vernon, of course it’s an immaculate performance.  Enjoy!

 

MSMR – Hurricane (CHVRCHES Remix)

I have been a fan of CHVRCHES since I first heard “The Mother We Share” – and really didn’t think that there was anything that they could do to their sound to make me like it more.  Well it turns out their is: when they take their musical aesthetic and superimpose it onto another awesome sound, in this case MSMR.  The result is pure magic.  And it’s exactly what I need in the middle of a week.  And since my brain is in serious Wednesday mode, I’ll keep this post short and sweet, and continue to listen to this song on loop…

All Linked Up: This Week in Music